天山蒙古大营 / 建筑

歌曲“鸿雁”当中的几句词则概括了本次项目设计所要表达的思想—蒙古草原文化。蓝蓝的天空,朵朵的白云,绿油的草地,人们被聚集在这片天空下,一边把酒言欢,一边倾听着悠扬的马头琴声,仿佛让人进入天然的蒙古文化大草原,感受着美酒佳肴,体验着蒙古文化生活。

Several words in the song "wild goose" summarize the idea of the project design Mongolian grassland culture. In the blue sky, white clouds and green grassland, people gather under the sky, enjoying the wine and listening to the melodious sound of horse head lute. It seems that people can enter the natural Mongolian culture prairie, feel the delicious wine and food, and experience the Mongolian cultural life.

整体营地打造一种悠闲缓慢的草原蒙古军营文化氛围,一根根威风挺挺的旗杆,挂着色彩斑斓的彩旗,在微风的抚摸下,一面面彩旗卖弄着各自的舞姿,一顶顶蒙古包营帐在旗杆的拥护下,从地面缓缓浮出,像美丽的白色花朵一样,一朵朵绽放在眼前,包的四周有停歇遛弯的战马雕塑—有的低头吃草,有的仰首高唱,有的俯卧沉睡;不远处停放着卸下的马车,草地上随意丢放着马鞍,一根根木制雕刻的拴马桩,缰绳慵懒的依套在上面;

The whole camp creates a leisurely and slow cultural atmosphere of Mongolian military camp on the grassland. One by one, there are magnificent flagpoles with colorful flags. Under the touch of the breeze, one by one, the colorful flags show off their respective dancing posture. With the support of the flagpole, the tent of Mongolian yurt emerges slowly from the ground. Like beautiful white flowers, it blooms in front of us one by one. There are many flowers around the bag Some of them are grazing, some are singing, some are sleeping; not far away, there are unloaded carriages, saddles on the grass, wooden carved horse posts, on which the reins are laid lazily;

雄鹰在天空中盘翔,马儿在草地上歌唱,最远处的敖包仿佛在为人们指引着生活的方向,这看似生动却又安静的一切顿时让人们对生活有了美好的向往。

Eagle flying in the sky, horses singing in the grass, the furthest Aobao seems to guide the direction of life for people, this seemingly vivid but quiet all suddenly let people have a better yearning for life.

本项目在初次接触的时候就有了感慨,相对于草原文化的展现,项目的实地条件其实并不乐观,草原的“辽阔、起伏”在这里完全体现不出来,其原因为自身的占地面积及占地形式,从俯瞰效果上就可以看出,整体形态像一把匕首,所有的内容只能在一字线上生成,另一方面也关乎于甲方的执行思路,想从一个尝试性的基础经营模式来进行投资,所以在很大程度上,设计当中想要表达的东西受到了限制,好在甲方提出可以在有限的条件下尽情发挥,所以就诞生了现在这个方案;手法上着重于民族自身的文化及场景特色,把无法实现的东西抛掉,找出最容易实现的内容,比如情景式雕塑,维和式的绿化处理,象征性的文化小品,流线上高低起伏的层次,包内软饰文化元素的设计运用,最后用灯光营造出影响人们思维的意境,让体验者在目睹这一切之后,在脑海中浮现出真正的辽阔的草原映像。

When the project first came into contact, it had a feeling. Compared with the display of grassland culture, the field conditions of the project are not optimistic. The "vast and ups and downs" of grassland can not be reflected here. The reason is its own land occupation area and form. From the overlooking effect, it can be seen that the overall shape is like a dagger, and all the content can only be generated on a single line On the other hand, it is also related to the implementation idea of Party A, which wants to invest from a tentative basic business model, so to a large extent, what we want to express in the design is limited. Fortunately, Party A proposes that we can give full play to it under limited conditions, so the present scheme is born. In terms of technique, we focus on the national culture and scene characteristics, and put the design into practice Throw away the things that can't be realized, and find out the most easily realized contents, such as situational sculpture, peacekeeping greening treatment, symbolic cultural sketches, fluctuating levels on the streamline, the design and application of soft decoration cultural elements in the package, and finally create the artistic conception that affects people's thinking with lighting, so that the experiencer can see all this and come up with a real vast image in his mind Grassland image


TAG: 室内设计 建筑规划 民宿设计

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